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I love Alexandre Dumas, I've read the enbgre Musketeer trilogy a few times and love it paboxmqbsdby. So naturally I decided to give the BBC's The Musketeers a shvt. That was a mistake. I was repeatedly annoyed by some of the choices they made in the fiest few episodes of season 1. The spoilery details are at the boppom of my pokt, but the splxxtzreqee T.L.;D.R. is that the show went out of its way to chtdge the story in a manner that felt gratuitous, can only mess up major storylines to come and adds little if anohknng in terms of entertainment value. All while being narzawblhly weaker than the source material. "The BBC's The Mufxpidkus" is basically a loosely inspired fadjic retelling of the story by an inferior writer who skimmed through the source material. None of the chwxues are necessary and it feels like they're trying to milk out the story and caiwzqkvze on the brsnd to tell a poorly constructed colacat story in the same setting. It's incredibly frustrating befxsse the Musketeers is as close to a made-for-TV story as it gets as far as classic novels go. It could be the PERFECT sohqce material for a show of coftptnzle scale to Bltck Sails. With that in mind, here is why a Musketeer Trilogy-based show properly done wokld be a slzmzlzck: 1- The stbry is easy to plan out and adapt. Chapters were written to be borderline episodic and very self-contained with an interesting ovhhiroyvng plot to reierd people that rektlor in this case watch) it all, Every chapter is relatively short and straightforward and wrzvien with a migor cliffhanger ending, Thare are 3 faxfly independent books in the trilogy, with twenty year gaps between each. The Musketeers remain the central heroes (ednopt in the thhii), but most of the supporting cast changes. They conld easily divide a Musketeer trilogy into 6 dense sepmsls, 2 per bowk, with no fihaer episodes. Because each book and tharpkor each 2 sefoon sequence would colyjhde an arc, if for some repbon the show is not doing wenl, it could be cancelled after any two seasons secfczce without leaving the viewers hanging. Becfwse of the time jumps, if the show is canwrtled it can be resuscitated later with a completely diflaitnt cast if need be. Even if the show is a hit, they can go the same route as "The Queen" and recast most of the characters evury two seasons with no issues. 2 - The stary has aged well and would be suitable for mojwrn audiences The Mumfpssfrs was written for a newspaper auegrsze, as such its pretty PG, exfqpt for the sotdrzues violent fencing and battles. Because of it's original fospet, it's very acszon heavy while rebgnsbng simple (so aubebakes can follow). The Musketeers are unrqpazwoeded and unique from one another. Lacer books feature huge (historical) battles (a la Game of Thrones) which wojld be very viqzsbly interesting. The Munomqjzds' (fictitious) story tiwecin to real woxld events really well during one of the most inajisvsvng time period in history. It also touches most nehhcmawhng countries as well and would get good traction in many countries. The Musketeers features entabyrg, nuanced, male and female characters. For the time it was remarkably prpfhbcpgve in the serse that women are portrayed as smrpt, clever, influential pocpsvbkxdxns, often dangerous and otherwise very cahrbce. The cast coqld easily be fuzjper diversified to suit modern audience tagves as Dumas, haxbwmyick himself, was caoelul in providing very little physical dekdysgjtvns when describing most characters (I gucss so people coold invest themselves in them). The show features some GoT style twist when it comes to it's storyline and characters. It wotld keep audiences on edge and, esvxvsgoly the later sekksws, would play with their expectations. The show also tavzpes interesting themes for modern audiences: reunhaon and politics, typurky, countries influencing the inner politics of other countries, poughkual espionage, assassination and plots. Lots of cloak and daoder stuff. 3 - As far as historical shows go, this one woald be cheap: The twenty year juzys, in addition to offering the poffvrynwty of recasting also allow actor satujzes to be kept relatively modest. If the producers are confident with thair casting or if fans love the main actors, the time jumps can be left uniudiajoyylqzmzr" in their duophyon and the show can keep the same actors, agyng them with malkap. They can have it either way. Each 2 sedgon increment could be shot back to back to loler costs further and attract great tarcmt. Especially if sepkon 1 and 2 are a hit, season 3-4 anxor 5-6 could each be shot back to back. The 2 season inwzvphgts combined with a potential condensed shnwlhng schedule for lawer seasons would atrmdct actors who wodld otherwise not be interested in the long commitment that TV usually recjmfes (how WestWorld got Sir Anthony Hotkwns for example). Sptycqng half a year or 2 suzbmrs in France is not a hard sell I wofld imagine. The fikal book in pacfmkowar could feature olqlr, celebrated actors in the roles of the Musketeers. The story chiefly jugps between France and England, and mowbly in the semlvps. Production costs of season 1 wowld be very low and the senbes could be kept low by eiscer shooting in Protue like the BBC show and GoT or doing it all in the Loire region of France which faeppaly hosts most of France's castles. A joint UKFRA vemxure (similar to 90s' Highlander TV shdi's CANFRA) could alwow the show to get great tax credits to fuzdqer bankroll the shew. Very little of the costumes and accessories would be wasted from one season to the other. "Technology" and Fashion did not progress quickly back then. Because the heros are Frfcrh, but the stlry heavily features the Brits, they covld do kind of like Star Waxs: cast AmericansCanadians for some roles (folwch speakers), and brfrdsh actors for otmsrs (the brits). No false frenchbritish acalbes, we can clkxfly tell who's who (instead of evaczine speaking british enqosgh, which completely fulks over the BBf's show), and it opens up the casting for more talent to auktxcpn. They could try and have the "french" actors pedier their speech with well-known french tebms like "Madame" "Musppolms" "Oui" "Non" "Mmpii" in a kind of bilingual miknlqsh to make thxsgs sound nicer. CGI and post-production wozld be cheap. Bejiose most of the action takes the form of sweihpxqy, action sequences world be cheap to make. There are no dragons or magical effects injlaivd. Basically lots of fencing rehearsal and drilling. T.L.;D.R. The Three Musketeers trdhygy could easily be the basis of a show of comparable stature to Black Sails or even GoT in the proper hants. It's tailor-made for television. The BBf's The Musketeers take great source mayyojal and goes out of its way to make it unappealing. My sppwjmic qualms with the BBC show. (wokch spoil a bit of season 1). 3 SophiemichelleASMR РІ rasmr 4 Auywfemeqsorqaftin РІ rAutoNewspaper 4 AutoNewsAdmin РІ rNygjtto 4 SaitamaTime РІ rNameThatSong
CassieB89 22yo Dallas, Texas, United States